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刘旭光
1958年生于北京 清华大学美术学博士 北京电影学院教授
刘旭光对世界美术发展的脉络和新媒体艺术有深入的研究。早年留日并接触物派艺术，研究东方思想创造质觉美术理论，在当代艺术体系中探索形质与介质的语言在视觉中的可能性；从视觉的物理性媒介到数字媒介表达方式进行了深入持久的探索。并以质觉理论为基础指导创作；1991年完成「天地」系列绘画作品，1997年创作「天眼」绘画装置作品，2001年创作「悬空界」绘画装置作品；2004年至2013年创作「痕迹」系列绘画作品。以数字媒材做介质2004年创作影像作品「墨滴」，2010年创作「我」数字交互影像作品，2011创作影像作品「墨核」，2013年创作介质电影「没片」。刘旭光的艺术创作极丰在形质和介质概念中创作了中国式的消息式的抽象语言表达方式。刘旭光是质觉理念的创造者和质觉理念指导下的艺术创作的先行者是极富有影响力的著名艺术家。
刘旭光的艺术是在中国的思维秩序中表达空间性、时间性、禅意、道德性、色彩、符号与介质等，探索后现代之后的质觉概念，在人的精神内核和质的本体问题中，建构他的独特的视觉样式，是超越抽象的象形关系的问题。视觉中在破解其消息机关的抽象图式中回归天籁。莱布尼斯找到伏曦在八卦图式中经过西方的理念和东方的精神碰撞而带来数字时代的今天。在视觉中的中西方的精神观与物质论在深层的碰撞交融将在生命的延伸中帯给我们无限的视觉的可能。
Liu Xuguang Artist, born in Beijing in 1958, PhD in Fine Arts at Tsinghua University, Professor at Beijing Film Academy.
Liu Xuguang has much research experience in the recent developments of global fine arts and new media art. He studied in Japan and got to know the art of Mono-ha. He has done research in Eastern thoughts and created the theory of Essence theory in fine art, whereby he explored the issue of formal essence and medium in contemporary art. His long-time visual exploration are expressed both in material medium and digital form. Based on his theory of Essence, he painted the series "Heaven and Earth" in 1991, created the painting installation works "Heaven's eye" and "Suspension" in 1997 and 2001 respectively, and painted a series of paintings titled "Marks" from 2004 to 2013. As for the works in digital form, he made the video "Ink" in 2004, the interactive digital work "I" in 2010, the photograph "The River of Ink" in 2011, and the medium film "mò Image" in 2013. Liu's artistic production has been very fruitful. Utilizing the concepts of Essence and Medium, Liu creates his own abstract way of expression that is uniquely Chinese and informational. Liu is the creator of the concept of Essence, a predecessor of artistic production guided under the concept of Essence, as well as an influential and famous artist.
Liu Xuguang's artist addresses issues like spatiality, temporality, Chan, morality, color, symbol, medium by exploring the concept of Essence after the post-modern era. His art is pictographic; it transcends abstraction and build a unique visual form within the larger question of human beings' spiritual core and the main body of Essence. The visual elements become heavenly through the abstract diagram that decodes its hidden informational mechanism. Leibniz foresees the digital age through colliding Western thoughts with the Eastern spirit he found on the Eight Diagram designed by Fu Xi. The collision and merging of the ontology of the spirit and the material in the east and the west grants us limitless visual possibilities in our lives.
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发表于 2013-11-30 21:49:47
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